They’re about producing content that is culturally cool and rich. I want to learn so much more about because it feels like they’re super-connected to fresh ideas.
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I’ve started working with A24 Films: I love that production company, and the TV shows and movies they produce. “I’m also really interested in scoring films. I love how wide-ranging cinema is and how much of a spectacle it is, and it influences how big and wide-ranging my sound is. They serve as an inspiration for ‘A Girl That Sold Drugs’, like Taxi Driver: I love the pacing, the lighting and the colours.
I like the stories, particularly with Martin Scorsese and Spike Lee, and how provocative they are. “I like the approach because we’re all working on the same medium. How does film and music interlink for you, then? I don’t want them to just die on my computer, so I think it’s worth putting in the effort to release them now.” These are songs that I can’t hear anyone else on apart from me. I look at making my music like making a film, but in a musical way. Do you feel any pressure to make that same magic for yourself? You’ve also worked on production for the likes of Summer Walker and Robert Glasper. To me, it felt like he really takes this seriously – he wants to build on all the great artists that have come before.” I told him about some of my formal background in learning music, and he said, ‘You have to know the rules to break them’. It was a very calm and peaceful environment, only about three or four people, and showed us a concept behind a song he was working on, so I had a better understanding of how he approaches his writing. ”When I met Kendrick, I came to the studio with another artist that I was working with. I do believe, right now, will be a footnote in my larger story. I believe the records that are going to come out in the future are going to draw large gaps. I think NOT THE TWOS is a different world musically than world. “I don’t know: I’ve only released one song so far, so I guess time will tell.
Does it bother you that people may think you’re Kendrick’s discovery? NME : Many people will have been introduced to your work on ‘Mr. NME caught up with Maxey/NOT THE TWOS to discuss his joint love for movies and The Beatles, and how he isn’t feeling the pressure when it comes to living up to his production discography with his solo material. With a second solo single, the punchy ‘HAHA!’, out today (August 24), Maxey is ready to run with the momentum that’s building around his unique amalgamation of R&B, rock and synth-based sounds.
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“I understand that as an artist there are steps that need to be taken to get to level, and I think being able to work on Kendrick’s album is kind of a cheat code or a shortcut in that way,” he tells NME. Morale…’ (along with ‘Count Me Out’ and ‘Mirror’), ‘United In Grief’ also opened Lamar’s dazzling Glastonbury headline show in June, which Maxey says was an “extremely cool” moment that has further inspired him to one day reach the rapper’s heights.
One of three production credits for Maxey on ‘Mr. Maxey, who is now based in Atlanta, was headhunted by Lamar after the latter heard his production work on Baby Rose’s 2019 LP ‘To Myself’. You may recognise Maxey’s debut solo single as NOT THE TWOS, ‘PARADISE’, from Kendrick Lamar’s ‘United In Grief’, the first track on the Compton rapper’s fifth studio album ‘Mr. After all, Chicago producer Tim Maxey has only relatively recently decided to go it alone as a one-man band, readying a solo project, ‘A Girl That Sold Drugs’ (due later this year), that features a number of tracks that he “doesn’t want to die on my computer”. If you haven’t heard of NOT THE TWOS yet, you can be let off the hook.